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Fragmentation (music) : ウィキペディア英語版 | Fragmentation (music) In music composition, fragmentation is the use of fragments or the "division of a musical idea (gesture, motive, theme, etc.) into segments." It is used in tonal and atonal music, and is a common method of localized development and closure. Fragmentation is related to Arnold Schoenberg's concept of ''liquidation'',〔Schoenberg, Arnold. ''Fundamentals of Musical Composition''. London, 1967. p. 58.〕 a common compositional technique that describes the reduction of a large-scale musical idea to its essential form (such as a contour line, a specific harmonic motion, or the like).〔After Michael Friedmann, course lectures and materials for MUSI 305: Analysis and Composition of Twentieth Century Music, Yale College, Yale University, fall 2008.〕 Liquidation shapes much thematically-driven music, such as that by Béla Bartók,〔Stein, Deborah. ''Engaging Music: Essays in Music Analysis'', "Introduction to Musical Ambiguity". New York: Oxford University Press, 2005. ISBN 0-19-517010-5. p. 87.〕 Stravinsky, and Schoenberg himself. It is important to understand that, though they are related, fragmentation and liquidation are separate processes and concepts. ==Further reading==
*Caplin, William. ''Classical Form: A Theory of Formal Functions'', p. 10-11.
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